This itemset features terracotta sculptures created by Texas Southern University student artists that relate to the mother and child relationship. These sculptures are part of a larger student terracotta collection, a body of sculptures created by students of Carroll Harris Simms. Inspired by the professor's travels to West Africa, the maquettes, busts, and full-size sculptures feature unique designs and exterior embellishments.
Curated By
Ben Schachter
Contributing Institution
Texas Southern University
Identifier
HCAC.TSU.IS.002
Rights
All rights held by the University Museum at Texas Southern. For permission to publish, distribute, or use this image for any other purpose, please contact University Museum, Texas Southern University umuseum@gmail.com Attn: Museum Director. Materials not created by Texas Southern University may still be under copyright. Additional materials may be presented for educational and research purposes in accordance with fair use under United States copyright law.
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This sculpture features a small bird placed in the lap of a larger abstract figure, perhaps suggesting the larger figure is the small bird’s mother. The body of this sculpture has a smooth surface finished with a thin rim around the edges. The act of nurturing and providing shelter is reflected in the placement of the smaller bird. Mother-child relationships are frequently showcased in TSU student terracottas.
Elizabeth Montgomery Shelton’s “Self-portrait” is a bust of the artist herself, carrying her child on her back. Embellishments, including spirals, adorn her head in a faithful execution of Professor Carroll Harris Simms’ instruction. The artist had previously created a different self-portrait sculpture and was encouraged to create this piece by Biggers and Simms after the birth of her child.
This terracotta maquette is of a woman cradling a child in her arms. The woman is shown naked, with simplified facial features. A circular base supports the sculpture, and spiral motifs are embedded throughout the piece. The crown of the head is topped with layered rings to indicate hair texture. The mother and child theme is prevalent in TSU’s terracotta collection.
“Mother and Child,” by Warren Williams, reflects a theme of unity. The smaller figure is placed in the lap of the larger, held in place by two fingers connecting to form a circle. The sculpture’s form resembles a mother and child bird, perhaps perched in their nest. The mother-child relationship is an important motif in Texas Southern artwork.
Windle’s terracotta portrays a figure embracing a bird in its arms. The exterior of the sculpture is smooth and lacking any of the decorative motifs typically featured on Texas Southern students’ terracottas. The embrace reflects the compassion of a mother and her child, while also displaying interspecies grace and kindness through the act of picking up this bird.
Moses Adams Jr.'s sculpture depicts a kangaroo mother with human-like hands and breasts. The clasped hands under the open pouch signify protection. Detailed, oversized hands are characteristic of the work of John Biggers and his students. Additionally, mothers of various forms and species are a common subject of the student terracottas from Texas Southern University.
Taylor's maquette shows a mother tightly embracing one or two children. The theme of the mother and child was a recurring motif amongst the students of Professor Carroll Harris Simms, the ceramics instructor at TSU. Simms worked alongside Dr. Biggers to build TSU's art program.
This terracotta sculpture features a mother gorilla with a child clinging to her back. The mother’s head, face, and body are adorned with spiral embellishments. A common theme featured in Texas Southern University’s permanent collection of terracotta sculptures is the relationship between mothers and their children.
This sculpture is of a mother wrapping her arms around a childlike figure. The artist uses geometric shapes and line work to decorate the bodies and facial features and animate their embrace. Parental protection and the mother-child relationship are frequent subject matters displayed in students' work at Texas Southern University.
Jafar’s terracotta depicts a mother figure carrying her child on her back. The exterior of the sculpture is smooth and lacking any of the motifs that are normally featured on Texas Southern students’ terracottas, perhaps suggesting the sculpture was left unfinished. The mother and child relationship is one of the most frequently featured themes in the artwork of students of Dr. Biggers and Professor Simms.