This itemset features artworks from the University Museum at Texas Southern's collections that feature imagery of a Mother Nature figure.
Curated By
Ben Schachter
Contributing Institution
Texas Southern University
Identifier
HCAC.TSU.IS.004
Rights
All rights held by the University Museum at Texas Southern. For permission to publish, distribute, or use this image for any other purpose, please contact University Museum, Texas Southern University umuseum@gmail.com Attn: Museum Director. Materials not created by Texas Southern University may still be under copyright. Additional materials may be presented for educational and research purposes in accordance with fair use under United States copyright law.
About This Record
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Biggers completed work on this mural in 1959 after returning from his UNESCO fellowship in West Africa. Originally installed in the Samuel M. Nabrit Science Building on Texas Southern’s campus, it is now located in the University Museum. Mother Nature is at the center of this work, surrounded by embryos and skeletons, animals and fish, and men and women. It speaks to the interconnectedness of life.
In this mural, Mother Nature is attacked by oil derricks, pollution, and industrialization. Jones painted this work as a response to the rapid expansion of oil drilling throughout Texas. Jones still engages with nature, now creating wood carvings from fallen timber after Galveston storms.
The mural centers an image of Mother Nature as a Black woman. In the foreground of the center panel, the artist stands in front of the towering female figure. On either side of Turner, men are weighed down by heavy irons. On the right, an embryo is gestating in a womb within a gear.
The pre-sketch stage of Texas Southern alumnus J.W. Sampson's mural on the first floor of Hannah Hall is shown here. Before he took paint to the wall, Sampson first made a grid (to help with scaling up to the large mural size) and then drew out his intended design. His final, geometric design is characteristic of Dr. Biggers's teaching at the time.
Sampson’s mural study depicts Mother Nature surrounded by birds, turtles, trees, fossils, and an expansive blue sky. This piece is painted in a geometric style that appears frequently in the work of students of Dr. John T. Biggers during the mid to late 1970s. Apart from some minor changes, Sampson’s final mural replicates the design in this earlier draft.
