This collection showcases the rich legacies of HBCUs through artistic expression. Featured works include paintings, sculptures, murals, mixed media, prints, drawings, and fine art photography.
John Woodrow Wilson was a sculptor, painter, and printmaker from Roxbury, MA. Child With Father shows a baby wrapped in cloth as large shadowy hands are folded around the baby, making a round, square-like shape.
Hals’ drawing shows two women chatting on the street. Their environment, filled with shotgun homes and tall grass, resembles Houston’s Third Ward, the historically Black neighborhood that Texas Southern University calls home. TSU art students, at Dr. Biggers’ instruction, often looked to their surroundings for inspiration.
Walker’s bust was created during his time as an art student at TSU. Under the instruction of Professor Carroll Harris Simms, artists would create self-portraits embellished with textures, like those seen in the hair of this sculpture. While most were made from terracotta clay, this one is made from plaster. These busts are inspired by Nok terracotta sculptures and Ife busts, which Simms saw during his travels to Western Africa.
Guy L. Miller was an artist from Los Angeles, CA. Character is a sculpture of the head of a bearded Black man. His eyes are closed, and he looks as if he is in a deep slumber. The marble sculpture head has a deep black color, invoking fortitude and calm.
John Arterberry was an artist who worked in the art department at Langston University from Tallahassee, FL. Ceres depicts the Roman goddess of agriculture, grain crops, and fertility, looking toward the sun. Ceres wears a crown of wheat stalks and holds a pitchfork in one hand and a bouquet of poppies in the other.
Richard Dempsey was a painter known for his abstractions and portraits of prominent African American leaders from Washington, D.C. Cathedral and Choir is an impressionist depiction of the inside of a church. The yellow brushstrokes create a tall organ alongside stained glass; the layered reds, blues, and black show the congregation and choir.
Leonard Jones was an artist from Winston-Salem, N.C. Cathedral is a cubist depiction of a cathedral and the town surrounding it. Jones uses a variety of light and dark colors that resemble the aesthetic of stained glass.
This maquette, created by an unknown Texas Southern University art student, shows a feline creature at attention. There are various swirl patterns and textures on the figure. The swirls are a required component for the maquette project, as Carroll Harris Simms pushed his students to richly embellish their works.
Charoennimuang’s print shows three women wearing babies on their backs and carrying baskets atop their heads. Two of the women’s faces are turned away from the viewer, while the closest gazes back fiercely. All three women’s hair is braided. This print highlights some of the varied and essential types of labor that women carry out.
Settles, a student of Carroll Harris Simms, created the sculpture “Camel” in 1978. The creation of a large terracotta sculpture was a part of each art student's curriculum. The design features include a huge hump and embellishments, including spirals, on the exterior. Sculptures lacking sufficient ornamentation were often not retained for the collection.
Hubert C. Taylor was an architect and artist from Kilmarnock, VA. Bus Stop is a non-finito depiction of a bus stop. The piece displays a sign pole with indistinct shapes and shadows surrounding it.
Samuel Albert Countee was a New Negro movement painter and sculptor from Marshall, TX. Brown Girl depicts a nude Black woman in nature. She has a thoughtful expression as she touches the branches that obscure her groin. In the background is a garden scene of pink flowers and lush trees.
This large, brown ceramic plate created by Carroll Harris Simms features multiple textures, including a bubbling glaze covering most of the top of the piece. Simms worked alongside Dr. John T. Biggers to build Texas Southern's art department from the ground up. Simms' decorative artworks remain in high demand by collectors.
This large ceramic plate created by Carroll Harris Simms features multiple textures, including a bubbling glaze covering most of the top of the piece. Simms worked alongside Dr. John T. Biggers to build Texas Southern's art department from the ground up. Simms' decorative artworks remain in high demand by collectors.
Gregory L. Ridley, Jr. was an artist from Smyrna, TN. Brooklyn View is a painting of the nightlife in Brooklyn, New York City during the 60’s. Story top buildings, trains, and street lights painted in layers of red, teal, orange, and black reflect a busy scenery on an open body of water below.
Edward Strickland was an artist, educator, and writer who lived in New York City. Brooklyn View depicts the rooftop perspective of a neighborhood in Brooklyn, NY. Several buildings with chimneys and spires are in the foreground, and the cityscape continues in the background.
Mass depicts scenes of family life, including a gathering at the dinner table and church services. The laborer at the far right suggests the role of physical work in sustaining the Black family. As in other murals, architectural elements from Hannah Hall are incorporated in this mural.
Howard E. Lewis was an Art professor and Korean War veteran from Columbus, OH. Boy with Pet depicts a young man sitting outside with a domesticated chicken. The bird rests in his lap as it sits along a curb in front of a chain link fence.
Robert Blackburn was a notable printmaker from Summit, NJ who grew up in Harlem, NY. Boy with Green Head is a print of a green-headed boy wearing a black shirt with a muted background. The boy is looking at the viewer with a pensive expression.
Oliver’s painting depicts a young boy sitting on the stump of a tree. The boy is barefoot and wearing a contemplative expression on his face. Oliver’s style in this painting is very free-form, with quick and abrupt brushstrokes throughout the composition. Oliver is one of the most successful art graduates from TSU, going on to be the only North American artist to design scarves for the fashion house Hermes.
Houston E. Chandler was a sculptor, printmaker, painter, and teacher from Saint Louis, MO. Boogie Woogie depicts two abstracted figures dancing the Boogie Woogie, a popular dance in the early 20th century.
James Routh, Jr. is a painting and printmaker from Atlanta, GA, by way of New Orleans, LA. Blue Ridge Farm shows a landscape of an acreage with crops, farmers, and a house. The background shows an atmospheric perspective of two mountains and rain clouds. In the foreground, two women dressed in white are picking cotton while a man behind them carries cotton on his back.
This painting by Charlene Claye shows a group of three people, including at least two women, fishing by a pond. This painting highlights one of the many types of labor Black women perform to support their families and communities. The broad, blue strokes extend a sense of timelessness and depth.
Mills' painting is a portrait of an unknown woman, dressed conservatively in a turtleneck, with short hair and a pearl earring. As a part of the art curriculum, students are required to create portraits during elementary painting. Many of Mills’ pieces share this painting’s muted and dark color palette. Some of Mills’ classmates recall him being color-blind, perhaps partly explaining these color choices.
John Woodrow Wilson was a sculptor, painter, printmaker, and educator from Roxbury, MA. Black Soldier depicts a soldier leaving his family to go to war. The woman and child are holding each other in front of a red brick house under a dark sky; the soldier walks away toward the Statue of Liberty while looking back at his family.
Rickey Donato's painting shows onlookers of various ages gazing with concern at a man who is bleeding and wearing a cross. This is likely an allegory for Jesus, often portrayed bloodied from the crucifixion. Imagery of "Black Jesus," played with by a variety of Black artists over time, counters iconography of a fair-skinned Jesus.
John Woodrow Wilson was a famous painter known for his creative portraits and stylistic approach to social justice. Black Despair shows a Black man in a state of anguish with his arms crossed over his head, facing downward. His right fist sits above his head, and he is wearing a military uniform.
This radiant work by Oliver Parson engulfs the viewer in the spiraling flow of a smiling woman's silky headwrap. The headwrap is a fashionable method of hair protection and expression of identity that is shared among women across the African diaspora.
Erma Gordon’s “Bison” sculpture includes two-toned clay with a smooth finish on the body. The hair of the bison is carefully sculpted on the top of its body, lending a realistic, soft texture. The artist depicted herself creating this sculpture in her Hannah Hall mural. Wildlife are frequent subjects of TSU student terracottas.
Burley’s vibrant mural explores cycles of life and focuses on women. The left conveys night and includes a female constellation. The right shows daytime, with plants and animals. A rainbow runs across, signifying unity. The large, detailed hand is a frequent motif in the art of Biggers’ students.
