This collection showcases the rich legacies of HBCUs through artistic expression. Featured works include paintings, sculptures, murals, mixed media, prints, drawings, and fine art photography.
This watercolor painting by Frank Perkins features a scene at a baseball stadium. This work may be an homage to the Negro Leagues, which offered Black baseball players the chance to play professionally prior to Jackie Robinson's integration of Major League Baseball. Iconic Black baseball players like Robinson, Willie Mays, Satchel Paige, Josh Gibson, and many more played in the Negro Leagues.
This sculpture features a small bird placed in the lap of a larger abstract figure, perhaps suggesting the larger figure is the small bird’s mother. The body of this sculpture has a smooth surface finished with a thin rim around the edges. The act of nurturing and providing shelter is reflected in the placement of the smaller bird. Mother-child relationships are frequently showcased in TSU student terracottas.
Gilbert H. Hatcher was a painter from Augusta, GA. Spring Folic is an abstract painting with a green background. The color palette includes hues of yellow, red, orange, green, white, and black. Gestural strokes of paint are layered to create a feeling of nature and springtime.
Mark Hewitt was an artist from Boston, MA. Spirit of 366th depicts a portrait of a young Black man from the 366th infantry in an Army uniform. The soldier looks into the distance of a shining light while dark-hued clouds of brown, black, and purple gather overhead.
This sculpture’s form resembles a sphinx, with its humanlike face and animal body parts. The body is covered in ornamental embellishments, especially spirals. These decorations are a key characteristic of the terracotta sculptures created by the students of Professor Carroll Harris Simms, with spirals as a key motif.
Charles W. Stallings was a painter, printmaker, sculptor, and educator from Gary, IN. Sorrowing Woman is a print depicting a woman with a sad expression. Stallings overlays two images of the woman: in the foreground, her expression is contemplative as she looks upward, and in the background, she wears a solemn expression.
Charles W. Stallings was a painter, printmaker, sculptor, and educator from Springfield, MO. Soothsayer is a marble sculpture of a psychic medium. The smooth texture of the face contrasts with the rougher texture depicting the hair.
Joseph D. Atkinson, Jr., was an artist from Atlanta, GA. Solitude depicts a white woman posing in front of a mirror, illuminating her with a lamp. The woman stands slightly profiled while facing the viewer; her right hand is raised, and the left is in a fruit bowl.
Charles White was a painter, printmaker, muralist, and educator known for his stylistic approach to African American subjects from Chicago, IL. Solid as a Rock is a print of the profile of a robed Black man. The barefoot man is holding on to his robe with his left and hides his right hand.
This drawing by Prinston Nnanna shows a Black baby sitting on a pile of books. Behind the baby, there is a collection of various political newspaper clippings and headlines, which may be provoking the child's saddened disposition.
Dr. Arthur L. Britt was an artist and educator from Cuthbert, GA. Society Wheels is an abstraction that uses black and white to enact visual chaos and composition. The inclusion of "KKK" positions it as a critique of American race relations and racial violence.
The mural centers an image of Mother Nature as a Black woman. In the foreground of the center panel, the artist stands in front of the towering female figure. On either side of Turner, men are weighed down by heavy irons. On the right, an embryo is gestating in a womb within a gear.
This small ceramic plate created by Carroll Harris Simms is made from red clay with a white, bubbling glaze. It has slightly raised, curved edges. Simms worked alongside Dr. John T. Biggers to build Texas Southern's art department from the ground up. Simms' decorative artworks remain in high demand by collectors.
Mark Hewitt was an artist from Boston, MA. Slave Girl is a black and white print of a young African woman standing before a bearded man wearing all white. The man’s hand rests on his chest, and the shirtless woman wears a solemn expression and looks towards the viewer.
Hayward Oubre was a multimedia artist and educator from New Orleans, LA. His etching Silent Sentinel, created during his MFA at the University of Iowa, reflects his interrogation of social realism and cultural symbology.
Askia’s drawing is a side portrait of a man looking into the distance. There is no background and only a sliver of his shirt is visible, implying the man is not confined to a specific time or setting. Many of Askia’s pieces are similar - drawn with pastel on paper, and placing the subjects outside of time and space.
Thomas’ mural depicts an abstracted circus scene. In the center, three clowns, perhaps self-portraits, dressed in collars and muted colors, look seriously towards the viewer. The figures’ contemplative expressions stand in sharp contrast to their dress and profession.
Like his other sculptures, Vital's maquette highlights hybridism, animal forms, and sexuality. Overall, the sculpture's form resembles a person sitting on a throne. On both sides of the top, a reptile creature sits above the shape of an open eye or breast. Towards the bottom, a phallic form is decorated with swirls, while a single claw-like structure supports the sculpture. The sculpture makes use of negative space in multiple sections.
Vital's maquette appears to portray an intersex human-chicken hybrid, which displays both male and female sex organs. The artist adorned the sculpture with swirl embellishments, a common motif in TSU terracottas. Vital would go on to make a full-scale version of this sculpture.
“Shrine #2,” by Harry Vital, features an intersex bird with both male and female features. This is a common theme found in Dogon sculptures originating from West Africa; these types of statues play a role in fertility rituals. The body has a smooth surface, while the wings and head are embellished with spiral designs.
Born in Ohio, Vernon Winslow studied at the Art Institute of Chicago. Sharecropper’s Migration is a watercolor painting of a family with gestural features. With a muted red skin tone, the father rests his hand on his son’s shoulder to reassure him. The family wears a sad but hopeful expression as they ride on a horse carriage.
This intricate work of a seated mother and child, possibly royalty, originates from the Senufo people of West Africa. Detailed body modifications and scars cover the mother's body as she calmly looks out. A child on her left leg is cradled close to her body. This piece is paired with a corresponding male figure.
Along with the paired woman and child figure, this male counterpart is heavily covered with facial and body markings as he is regally seated on a decorated stool. The man is holding a sword or spear. His postiche, or false metal beard, is prominent while his upright posture asserts his status. This piece originates from the Senufo people of West Africa
Williams' drawing is of a Senufo female carving. Texas Southern art students would often use the African Art collection on campus to create drawings like this. Dr. Biggers, the founder of the art department, would bring artwork from his travels to Africa back to Houston. This practice allowed students to get a glimpse of African customs and art, which was a key part of the Afrocentrist curriculum that Biggers worked to develop.
This unknown student’s bust was created during their time as an art student at TSU. Under the instruction of Professor Carroll Harris Simms, artists would create self-portraits embellished with decorations like spirals and accentuated crown pieces, like in this sculpture, which features a tortoise, a common symbol of longevity. These busts are inspired by Nok terracotta sculptures and Ife busts, which Simms saw during his travels to Western Africa.
This unknown student’s bust was created during their time as an art student at TSU. Under the instruction of Professor Carroll Harris Simms, artists would create self-portraits embellished with decorations like spirals and accentuated crown pieces, like in this sculpture. These busts are inspired by Nok terracotta sculptures and Ife busts, which Simms saw during his travels to Western Africa.
Thomas Edward Goodwin was an artist from Chicago, Ill. Self Portrait is a painting of the artist staring toward the viewer. Goodwin wears a yellow sweater in a room with neutral colors and a dark blue curtain. His saturated skin, round eyes, and short black hair help to depict the artist.
Robert A. Daniel was an artist from Tallahassee, FL. Self Portrait depicts the artist in a door frame, looking toward the viewer. Daniel overlays a muted blue watercolor and a gold sketched frame, further centering him as the subject.
James Reuben Reed was a painter born in Kansas City, MI. Self Portrait is a print depiction of the artist staring toward the viewer. In the background are abstract shapes and dark shadows.
Hayward Oubre was a multimedia artist and educator from New Orleans, LA. Self Portrait is an etching of the artist from the shoulders up. His neck, shoulders, ears, and mouth are etched lightly, while his hair, eyebrows, eyes, and mustache are dark and etched deeply.
