This collection showcases the rich legacies of HBCUs through artistic expression. Featured works include paintings, sculptures, murals, mixed media, prints, drawings, and fine art photography.
This is a publisher’s proof for Long’s print Post Rome, which was created during his 1990 Prix de Rome fellowship. At the center of the design is a large, oval-shaped eye. This is a frequently used motif in Long’s artwork, across many different mediums. The vertical and diagonal rays and bars draw attention towards the eye, which features a man’s face where the pupil would be.
Pruitt’s painting is based on a photo he took of the preacher of his childhood church. At the time this piece was painted, the artist was exploring different faiths and struggling with his religious beliefs. Pruitt cites Basquiat and Rauschenberg as stylistic inspirations that influenced this painting. The muddied brushstrokes used to create this piece reflect the internal struggle of the artist.
Morris’ painting is a golden, close-up portrait of singer and performer Prince; his head is slightly bowed and his eyes are closed. The painting is inspired by Prince 3, a photograph of the singer taken by Herb Ritts in 1991. Before his death, Prince became one of the best-selling musicians of all time, celebrated for his soaring vocals, multi-instrumental skills, and pioneering aesthetics and sounds.
Obey’s sculpture, “Primeval Couple,” features a prehistoric male and female couple fused within the arms of one another. The heads of the figures are decorated with embellished swirls, often featured in the terracottas made by students of Carroll Harris Simms. Simms related Obey’s design to those he had seen in the mountains of northern Nigeria.
Toussaint's painting, "Prickled," pushes back against the notion that women's role is limited to being nurturers. In her own words, her "creative perspective is rooted in a sensitive and feminine lens—one that challenges the common reduction of femininity to gentleness and passivity." After graduating from Texas Southern University, Toussaint started teaching art in a Houston-area middle school.
Alexander S. McMath was a painter and educator from Clinton, SC. Prelude to a Kiss is a non-figurative abstraction consisting of gestural brush strokes.
Oliver's painting depicts vanguard Black politicians from the Reconstruction period following emancipation. Radical Reconstruction saw the election of dozens of Black lawmakers in former slave states like Texas. After 1897, Texas didn't elect another Black legislator until 1966.
Long’s print was created during his 1990 Prix de Rome fellowship. The print features two aquatic animals, possibly whales or birds, emerging from the water, while other colorful creatures float around and within them. The cast bronze frame features the words “Pre Rome,” a hand, a paintbrush, and an eyeball, which is one of the motifs that appears most frequently in Long’s artwork.
James Adair was an artist from Atlanta, GA. A prayer Meeting is an abstract depiction of a group of people practicing a religious ritual. Adair uses broad brush strokes of green, red, and yellow to create this scene of piety.
Al Tyler was an artist known for his figurative murals and landscape paintings. Prayer for Freedom shows two scenes from the fight for Civil Rights. On the left, black and white people are leaving a courthouse, and on the right, armed officials are stopping Black men from entering a building.
Dr. Arthur L. Britt was an artist and educator from Cuthbert, GA. Poverty Toy Chest is an installation that displays items impoverished children use for recreational play. It shows the disparity and ingenuity of people with little resources.
Long’s print was created during his 1990 Prix de Rome fellowship. At the center of the design is a large, oval-shaped eye. This is a frequently used motif in Long’s artwork, across many different mediums. The vertical and diagonal rays and bars draw attention towards the eye, which features a man’s face where the pupil would be. The frame, made from cast bronze, features a city skyline, embedded coin shapes, and the words “Post Rome.”
Merton D. Simpson was an abstract expressionist painter and African art collector from Brooklyn, N.Y. Portrait of The Wise Men is an oil painting of the three male Biblical magi. The men on the left and right hold texts, and the central man's head is visible between them. Simpson uses muted colors throughout the piece.
Fax’s painting is a portrait of a young man sitting with his hands in his lap. Yearbook photos suggest the subject may be George Latson, who was an art student at TSU at this time. During his career, Fax taught and held residencies at a variety of institutions, including Texas Southern University. He became internationally acclaimed for his work as a cartoonist, illustrator, and writer.
Franklin Shands was a painter from Cincinnati, Ohio. Portrait of Jo is a portrait of a woman looking sternly into a distance as a light shines on the left side of her face. The woman, named Jo, wears her black hair pinned upwards, wears a blue top, small earrings, and red lipstick.
John Woodrow Wilson, a sculptor, painter, and printmaker from Roxbury, MA, was known for his creative portraits. Portrait of Claire is a portrait of a young Black woman. Her black hair is styled upwards, and a pink ornament is pinned. She wears a yellow collared blouse, a blue vest, and blue bottoms.
Settles' painting tackles the ongoing issue of police brutality against and harassment of Black Americans. The fluid swirls on the men's clothing, the anxious onlookers, and the white officer's drawn baton illustrate the high intensity and precarious emotion of the piece.
Jacob Lawrence was a renowned painter from Atlantic City, NJ. Playland shows a room with people standing around a table with a crowd. The majority wear black trench coats and fedoras. Three people wear yellow dresses, and two wear striped clothing and headwear. Gambling occurs in front of a decorated wall with various suits of playing cards.
Howard E. Lewis was an Art professor and Korean War veteran from Columbus, OH. Pitiless Sun is an abstract depiction of a desert landscape during an eclipse.
Benjamin Britt was a figurative, surrealist, and abstract painter and art teacher from Winfall, NC. Pink Sand #2 is a surrealist depiction of a post-apocalyptic urbanscape. In the background is a lone figure walking away from a dilapidated pink-tinted city surrounded by pink sand. In the foreground is a warped tree and other organic debris.
William S. Carter was an abstract, landscape, still-life, and figurative painter from St. Louis, Missouri. Pieta is an interpretation of Michaelangelo's Madonna della Pietà. The gestural ink markings create facial features and show eyes looking downward on top of a pastel-colored backdrop.
Roy DeCarava was a painter and printmaker before becoming known as a Harlem Renaissance photographer. Pickets depicts two men in winter wear standing in a picket line; they both wear sandwich boards. This lithograph was created in response to the frustration with wages and working conditions after the end of the wartime no-strike pledge.
Hinojos' painting, "Pescador de Hombres," draws on Christian themes. The painting references the story of Jesus' miraculous feeding of the multiple with bread and fish, but also a symbolic representation of Christ as the "Bread of Life," a source of spiritual sustenance. Hinojos is a graduate of Texas Southern, accomplished airbrush artist, and founder of the Houston Art Center, an organization that aims to support artists in the Hobby area of Houston.
Ernest Chrichlow was a narrative painter and illustrator from Brooklyn, NY. In 1940, he started a picture book series displaying Black children in positive roles. Paulette depicts a young Black girl playing with a toy. She is wearing overalls, a navy shirt, white sneakers, and a white bow. Behind her is a Heinz Food poster with a white baby.
Morris's sculpture depicts a stylized version of the artist's own head and neck. As was required by Professor Simms, the artist adorned her self-portrait with swirls on the neck and rear of the scalp. The bust's blue hue is unique within the Texas Southern terracotta collection.
Hall’s painting is a surreal landscape of water flowing through a creek with various items along the path. There is also a faint inscription that reads “Jesus Saves” on a boulder to the far left. A mango, fossil, and butterfly are all pictured in the foreground. The loose and fluid paint strokes are reminiscent of impressionist paintings and characteristic of Hall’s style, particularly his more recent works.
Criner’s print shows a man fishing; he is holding several catfish that he has caught. He is wading in the water with his hands full of fishing gear. Criner learned printmaking firsthand from Dr. John Biggers and was the longtime artist-in-residence at Houston’s Museum of Printing History.
Born in Georgia, Robert Willis was an artist who studied art at Morehouse College. Pacific Movements is a watercolor painting of a landscape during a storm. The piece shows pitched tents surrounded by trees blowing in the wind under a dark clouded sky and rolling ocean waves.
“Owl,” by Oliver Parson, features spiraled embellishments on the head and symmetrical holes on the wings, with a gray slip painted on the body. In the middle of the figure’s body, a crescent shape cradles a small egg, perhaps referencing owls’ nocturnal natures. Parson experimented with different clay colors in his terracotta sculptures.
The mural captures the emotion and creative environment of a mid-20th century jazz club. Heliton chose a corner spot for his mural, which lends a sense of depth to the piece. The overlapping of patterns, portraits, and instruments suggests the intimacy of a small club interior.
