This collection showcases the myriad ways that African Americans have engaged in activism on and off HBCU campuses through a selection of items such as oral histories, visual artworks, and written works.
Description
Since the early 20th century, HBCU students, faculty and their communities have demonstrated a spirit of activism to catalyze change within or on behalf of their own institutions to improve campus accommodations, strengthen the level of instruction, and explicitly connect the mission of their HBCUs to the project of Black liberation.
Date Modified
2025-09-12
About This Record
The HCAC public history focused digital archive cataloging is an ongoing process, and we may update this record as we conduct additional research and review. We welcome your comments and feedback if you have more information to share about an item featured on the site, please contact us at: HCAC-DigiTeam@si.edu
This flier announces a Child Development Group of Mississippi (CDGM) public meeting at the College Park Auditorium at Jackson State College on Saturday Oct. 8, 1966, at 10am. The purpose of the meeting was to bring the community together to discuss ways to save CDGM from being overtaken by the state and federal governments.
Cornett's work shows Stokely Carmichael with angelic features amidst raised hands. He was a key civil rights activist, a leader of the SNCC, and popularized the term "Black Power." He spoke at Texas Southern one month prior to the TSU Invasion, when Houston police invaded the campus, fired 5,000 rounds into dormitories, and arrested 488 students.
Romare Bearden was an artist, author, and songwriter from Charlotte, NC. Atlanta Mural is a maquette of a mural created for City Scenes '76-'77, the National Paint and Coatings Association bicentennial. Bearden includes the Kente symbol, Dr. Martin Luther King Jr's head, the silhouette of a Black family, a church, and a plot of land to represent the African American influence in the city.
The right section reflects the tenet of “policing the police.” The officers’ stance is eerily similar to Derek Chauvin’s murder of George Floyd and the fire extinguisher underscores the scene’s violence. The left speaks to racialized beauty standards and “Black is Beautiful” messaging of the 1960s and 70s.
In a service of hymns, prayers, and reflection, Dr. Bernard Lafayette delivered a sermon on the biblical call to go the second mile, linking it to the Civil Rights Movement and emphasizing dignity, nonviolence, and transforming adversity into moral strength.
White square button for the Birmingham, Alabama, 1963 Foot Soldiers Reunion. There is also text on the button that says: "Inspired by what we did for ourselves-and the world." The 1963 Foot Soldiers were children marchers in Birmingham who encountered police resistance in the form of water hoses, attack dogs, and arrests.
Dr. Albert Briton was the medical director for Child Development Group of Mississippi (CDGM) and Head Start from the start of the program, brought in by director John Mudd because white physicians in the state were refusing to work in the program. Dr. Briton talks about his involvement with the Civil Rights Movement leading him to work with CDGM.
Dr. Robert Smith was founder of the Medical Committee for Human Rights, a Civil Rights Movement organization that fought for better treatment of African Americans in the 1960s. Dr. Smith continued this work as the Head Start medical director in the early days of the program. He talks about his responsibilities and experiences in that position.
A black and white photo Dr. Russell W. Brown working in a lab. Dr. Brown worked in a variety of roles in Tuskegee's administration, serving twice as Director of the Carver Research Foundation. During his career, Brown worked extensively in research on bacteriology, immunology, and HeLa cells.
Myrlie Evers, later Myrlie Evers-Williams, is a Civil Rights activist and journalist, who served as chairwoman of the NAACP and wrote several books on Civil Rights and her husband Medgar Evers, who was killed in 1963.
Ellison’s pair of murals speaks to political and social issues of the 1960s and 1970s. The murals express hope through resistance, in spite of the challenges facing Black America. In the middle, a bald eagle holds a broken lynch rope in its beak and “the law” in its talons.
Carter’s drawing is of Lee Otis Johnson, a former TSU student, organizer, and leader of the Houston Student Non-Violent Coordinating Committee. Houston police repeatedly targeted Johnson, and in 1968 they arrested him for passing marijuana to an undercover officer, and a judge sentenced him to 30 years in prison. This injustice gained widespread notoriety, and “Free Lee Otis” became a rallying cry.
Mills’s mural depicts a nation in turmoil, with scenes of racial violence, and pushback by Black protestors. A figure lifts the American flag to reveal white supremacy. On the right side, Stokely Carmichael’s face bursts through the flag, alluding to the 1967 TSU Invasion. During the invasion, 488 TSU students were arrested and Houston Police fired almost 5000 bullets into the men's dormitory.
Charles White was a painter, printmaker, muralist, and educator known for his stylistic approach to African American subjects from Chicago, IL. John Brown is a print portrait of its namesake. He was a prominent member of the American abolitionist movement. The print portrays Brown in dark hues as he stares off into the distance.
Lavaree Jones interviewed by Major O'Neal; both are students in Dr. Alferdteen Harrison’s Oral History class at Jackson State University. He asks her 3 questions about the origins of the Head Start program in Mississippi and the role Head Start plays in the Black community.
Calvin Burnett was a graphic artist, illustrator, painter, designer, and art teacher from Cambridge, MA. Marcus Garvey is a portrait of its namesake, a Jamaican political activist. Marcus Garvey was a renowned Black nationalist and Pan-Africanist.
Mayor Phillip Curtis West returned to Mississippi from Chicago in 1964 to become involved in the Civil Rights Movement. Becoming involved with the NAACP at Alcorn State University led him to eventually end up in Mississippi politics, being elected to the Mississippi House of Representatives in 1997 and Mayor of Natchez, Mississippi in 2004.
Biggers created this sketch while working on his mural, “The Contributions of the Negro Woman to American Life and Education,” for the Blue Triangle Branch of the YWCA. This mural was the culmination of his research for his doctoral dissertation at Penn State University. It features Harriet Tubman and Sojourner Truth leading enslaved people to freedom and educating African Americans, respectively.
Alvin Smith was an artist from Brooklyn, NY. Neshoba Spectre is a collage that memorializes the Freedom Summer murders in Neshoba County, Mississippi. The piece displays the names of the victims: James Chaney, Andrew Goodman, and Michael Schwerner.
Roy DeCarava was a painter and printmaker before becoming known as a Harlem Renaissance photographer. Pickets depicts two men in winter wear standing in a picket line; they both wear sandwich boards. This lithograph was created in response to the frustration with wages and working conditions after the end of the wartime no-strike pledge.
Al Tyler was an artist known for his figurative murals and landscape paintings. Prayer for Freedom shows two scenes from the fight for Civil Rights. On the left, black and white people are leaving a courthouse, and on the right, armed officials are stopping Black men from entering a building.
Rep. Robert G. Clark served in the Mississippi House of Representatives from 1968 to 2004. In this interview, Rep. Clark talks about his childhood, his time at Jackson State College, and his time as a teacher. He talks about threats his campaign received but also the support he got from the Mississippi Freedom Democratic Party.
Rep. Robert G. Clark served in the Mississippi House of Representatives from 1968 to 2004. Rep. Clark talks about his legislative career and the racism he faced. He also talks about the impact the Civil Rights Movement had on him winning the election and his introduction of bills to create holidays for Martin Luther King, Jr., and Medgar Evers.
Collection of materials leading up to Robert Clark speaking on campus at Jackson State University for the 1983 Afro-American History Month Celebration. There are letters of invitation from Dr. Alferdteen Harrison as well as a biography of Robert Clark and the event program.
Royal’s mural illustrates the desegregation of public schools following Brown v. Board of Education (1954). In the center of the scene is attorney and future Supreme Court justice Thurgood Marshall, with Black students entering integrated schools. At the far left is Chief Justice Earl Warren.
A speech by Frankye Adams-Johnson (Malika) about the Black Panthers delivered to the Community Self-Defense Program. She addresses the goals of the revolution, the actions of government agencies against them, and her motivation for joining the Party. With handwritten edits.
Lee’s collage speaks to the 1998 lynching of James Byrd, Jr., in Jasper, Texas. Byrd’s murder provided part of the impetus for the passage of stronger anti-hate crime laws in Texas and federally. The collage references the anti-lynching poem/song “Strange Fruit,” made famous by Billie Holiday. Lee, sometimes called “Da Mayor of Fifth Ward,” grew up in Houston’s Fifth Ward, but his family traces its roots to Jasper, where three white supremacists lynched Byrd and desecrated his body.
