William Hayden was a painter and educator from Lexington, NC. Saturday Night Function is a juke joint scene depicting Black people dancing, playing instruments, and socializing. Hayden illuminates the interiorities of African-American nightlife in the mid-1900s.
A Letter from Miss Dora McDonald to Chaplain Johnson that Congressman Andrew Young has saved the date of 12/13/1970 to speak at Tuskegee on his calendar.
Letters from the Office of Student Financial Assistance regarding a scholarship for Rosewood descendants. Issued by the Florida Department of Education, they request documentation such as proof of lineage through great-grandparents and beyond, ensuring the preservation of these families’ legacies.
Royal’s mural illustrates the desegregation of public schools following Brown v. Board of Education (1954). In the center of the scene is attorney and future Supreme Court justice Thurgood Marshall, with Black students entering integrated schools. At the far left is Chief Justice Earl Warren.
Goffney's intricate mural suggests themes of scientific discovery, fluid energy, and mid-century lifestyles. Scenes of nightlife and a rural church are featured on the right. Goffney signed his last name as Goeenet, perhaps his artist name.
Rison-Isom’s print depicts a woman kneeling to clean wooden floors with a scrubber and bucket. The room appears worn and cracked, indicating age and heavy use. This work highlights the importance of Black women’s labor, which has too often been neglected. In the 19th and 20th centuries, huge numbers of Black women worked as domestic laborers.
This maquette is a largely realistic depiction of a sea lion. The sea lion is adorned with swirls, the most common visual motif used by Simms' students in their sculptures. The final, full-size version of the sculpture contains even more embellishments that the maquette lacks.
Harvey W. Lee Jr. was born in St. Louis, MO, and he moved to Daytona Beach, FL. to teach art history professor at Bethune-Cookman College in 1952. Seascape depicts a house by the sea. The cubist painting uses intersecting stark black lines with shades of brown, green, blue, and red to create a full composition.
Robert A. Daniel was an artist from Tallahassee, FL. Seated Figure is a portrait of a Black woman sitting in a green chair in front of an ironing board. She seems to be resting from doing domestic labor.
Jack Adams was an artist from Atlanta, GA. Seated Figure depicts a wearied woman resting after domestic duties. She sits in a green chair in front of an ironing board, dressed in a purple dress, blue headdress, stockings, and brown boots.
Hayward Oubre was a multimedia artist and educator from New Orleans, LA. Seated Woman is a sculpture of a bodacious woman with a solemn expression. Her right arm is crossed over her chest, and her left arm hangs between her legs.
13th Electrical drawing blueprint for Douglass Hall Second Floor Plan blueprint. Drawing has construction notes, drawing legend, and electrical outlet layout.
A newspaper article from The News Tribune about Assata Shakur (JoAnne Chesimard) being in New Jersey to stand trial for the May 1973 killing of a state trooper. The author writes about the process that went into Assata Shakur (JoAnne Chesimard) being confined to solitary confinement and the court hearing that took place to examine the evidence.
A black and white architectural drawing crafted by hand by Robert R. Taylor in 1910 for a dormitory/dining hall for the Mississppi Industrial College located in Holly, Springs Mississippi. The Drawing Scale is 1/4 1'0'' Elevation B Drawing page Number 9. This is the front face of the proposed building.
A newspaper article from The Home News about the heavy security that accompanied Clark Squire on his move from Trenton State Prison to Middlesex County for a six hour meeting with Assata Shakur (JoAnne Chesimard) and her defense team. Squire was earlier convicted of the same 1973 killing of a state trooper that Shakur was on trial for.
Cecil D Nelson Jr. was a painter born in Champaign, IL. Self Portrait - Confronted Age, 16 depicts a Black male teenager haunted by racial violence. He sits in a chair holding a paintbrush with his hand on his head, wearing a shirt with a target symbol. There is also a rope, mask, and torn newspaper with the headline “lynch.”
Elizabeth Montgomery Shelton’s “Self-portrait” is a bust of the artist herself, carrying her child on her back. Embellishments, including spirals, adorn her head in a faithful execution of Professor Carroll Harris Simms’ instruction. The artist had previously created a different self-portrait sculpture and was encouraged to create this piece by Biggers and Simms after the birth of her child.
Frederick C. Flemister, native to Jackson, GA, was a student of Hale A. Woodruff at Atlanta University in the 1940s. Self-Portrait is an impressionistic piece depicting Flemister preparing to paint. He is standing in front of a canvas while holding a paintbrush in his left hand and a palette in his right.
Hayward Oubre was a multimedia artist and educator from New Orleans, LA. Self Portrait is an etching of the artist from the shoulders up. His neck, shoulders, ears, and mouth are etched lightly, while his hair, eyebrows, eyes, and mustache are dark and etched deeply.
James Reuben Reed was a painter born in Kansas City, MI. Self Portrait is a print depiction of the artist staring toward the viewer. In the background are abstract shapes and dark shadows.
Robert A. Daniel was an artist from Tallahassee, FL. Self Portrait depicts the artist in a door frame, looking toward the viewer. Daniel overlays a muted blue watercolor and a gold sketched frame, further centering him as the subject.
Thomas Edward Goodwin was an artist from Chicago, Ill. Self Portrait is a painting of the artist staring toward the viewer. Goodwin wears a yellow sweater in a room with neutral colors and a dark blue curtain. His saturated skin, round eyes, and short black hair help to depict the artist.
This unknown student’s bust was created during their time as an art student at TSU. Under the instruction of Professor Carroll Harris Simms, artists would create self-portraits embellished with decorations like spirals and accentuated crown pieces, like in this sculpture. These busts are inspired by Nok terracotta sculptures and Ife busts, which Simms saw during his travels to Western Africa.
This unknown student’s bust was created during their time as an art student at TSU. Under the instruction of Professor Carroll Harris Simms, artists would create self-portraits embellished with decorations like spirals and accentuated crown pieces, like in this sculpture, which features a tortoise, a common symbol of longevity. These busts are inspired by Nok terracotta sculptures and Ife busts, which Simms saw during his travels to Western Africa.
Sen. Alice Varnado Harden served in the Mississippi State Senate from 1988 until her death in 2012. She talks about her work with Robert Clark and the Mississippi Black Caucus. She also discusses the many issues she lobbied for as an elected official and her relationships with other members in the state legislature.
Senator David L. Jordan began serving on the Mississippi State Senate in 1993 and has been serving for 31 years. He recounts growing up on a plantation in Greenwood, Mississippi. The interview focuses on the work he did with Robert Clark in the Mississippi Legislature to support and obtain funds for Historically Black Colleges.
Sen. Johnnie Walls Jr. served on the Mississippi State Senate from 1993-2010. He details the strides made in the Senate for the HBCUs and other institutions in the state. He points to key situations and circumstances that show Robert Clark’s integrity and his influence and thanks him for his leadership of the Black Caucus and his mentorship.
Sen. Willie Simmons served in the Mississippi Senate from 1993 to 2020. He details the opposition and challenges he faced while fighting for education reform and better treatment of the Black colleges in Mississippi. He looks at his career retrospectively and ponders over how he would like to be remembered.
Entrusted to FAMU based on the university's studies in agriculture, the Sentry to the Fields, protects crops, like the plantains it is holding, from trespassers in Ghana fields. This spirit itself shows evidence of violence, decay and death.
Williams' drawing is of a Senufo female carving. Texas Southern art students would often use the African Art collection on campus to create drawings like this. Dr. Biggers, the founder of the art department, would bring artwork from his travels to Africa back to Houston. This practice allowed students to get a glimpse of African customs and art, which was a key part of the Afrocentrist curriculum that Biggers worked to develop.
